About

SCYM offers an enriching and focussed musical education from primary education right through to year 13. We are committed to offering excellence in achievement as well as wider opportunities.

Ensembles on offer range from a full brass band, a symphony orchestra, choirs, jazz and wind ensembles and a variety of string ensembles. We also provide an Early Years music programme, including Kodaly method classes for children aged 4 and up. Each year SCYM students are offered places to read music at university or conservatoire, but not everyone specialises in music.

Working within a wide curriculum, every student has an opportunity to develop their individual musicianship across the broadest possible spectrum. The Centre operates every Saturday in term-time for 30 Saturdays over the academic year, and is suitable for any young musician who is already able to sing or play an instrument. Places are offered on the basis of potential, taking into account the candidates age, musical education and experiences to date. Those with sufficient potential can be accepted at any stage of their musical development, and there is no minimum standard.

The partnership that forms Saffron Centre for Young Musicians is formed of Saffron Hall, Essex Music Service and Saffron Walden County High School. This leads to many first class and unique opportunities for performance, masterclasses and workshops as well as holiday courses. SCYM’s tutors are experienced and committed music educators and we are proud to say that we are strong and friendly community. We look forward to seeing you soon!

Head of Centre: Kate Llewellyn

PGDipGSMD, GRNCM, PPRNCM, MA (Music Education)

Kate was appointed Head of Saffron Centre for Young Musicians at its inception in 2015, and with her team has developed the Centre into a thriving and successful Saturday music school.

Kate is a graduate of Royal Northern College of Music (Howard Snell), and a postgraduate of Guildhall School (Ray Simmons and John Miller) She was also a junior exhibitioner at Junior Guildhall (Andrew Mitchell). In 2024 she earned a Masters degree in music education (The Teaching Musician) from Trinity Laban Conservatoire of Music and Dance.

As a trumpet player Kate played for the Young Musicians Symphony Orchestra, Philharmonie der Nationem, as well as with Royal and BBC Philharmonic Orchestras and Welsh National Opera. As an educator Kate has taught for several years locally at both primary and secondary level and is a dedicated to giving every young person the highest quality of teaching possible. She now mentors other music teachers in her role as District Lead Tutor for Chelmsford and Brentwood with Essex Music Service.

Centre Administrator: Sophie Stafford

Alison Baillie

General Musicianship and flute

I regard Musicianship as an essential foundation for all students as they develop musically. This training combines the practical elements of music making with theoretical understanding. I enjoy teaching a mixture of composition, improvisation, aural skills, historical knowledge, analytical skills, creativity and theory in a small group context. Central to this teaching is a sense of belonging and team work with an increase in confident, articulate musical thinking.

I currently teach the flute at SWCHS, Hills Road Sixth Form College and Saffron Centre for Young Musicians. I teach beginner piano in a local Primary School. I am a member of the Supporting Studies tutor team (General Musicianship) at Saffron Centre for Young Musicians and I am a tutor for Saffron Walden Children’s Orchestra. I also have a private teaching practice. I have worked in music education for 20 years with a strong emphasis on teaching the flute. I enjoy working with pupils of all standards and ages and, when appropriate, I prepare pupils for ABRSM, Trinity and MTB exams grades 1 to 8. In my teaching, I am committed to developing technique through clearly planned, thoughtful lessons where pupils are encouraged to expand their creative thinking.

I have a degree in music, a teaching diploma on the flute and a classroom teaching qualification. I recently studied as a postgraduate at The Guildhall School of Music and Drama where I was able to explore the complexities of how music is taught, learnt and performed. I have regular lessons with a professional solo player and these lessons are essential in my growth as a flautist, feeding and nourishing my own teaching. I remain committed to furthering my musical curiosity and I have attended recent workshops exploring rhythm with The Beat Goes On (Stomp style rhythm), the use of Music Therapy in education (inclusive use of music for self-expression) and a Posture course for flautists.

I lead an Outreach programme for Saffron Centre for Young Musicians where music is promoted in Primary schools. I have also run fun workshops in performance and composition for Primary schools and have worked with Academy pupils at SWCHS with a focus on delivering workshops for Primary pupils. Music is central to my life. I believe everyone is musical and that communicating through music is part of being human. My role – and privilege – as a teacher is to help my pupils do this to the best of their ability.

Amy Morrow-Plant

Clarinet, saxophone and theory

Amy has been teaching at SCYM since October 2015. She is a clarinettist and educator who graduated from the Guildhall School of Music and Drama (GSMD) with a BMus (Hons) in 2012, followed by a PGCert in Performance Education in 2017. Throughout her studies, she received prestigious bursaries from the MBF and the Sir John Barbirolli Foundation.

Amy regularly returns to GSMD as a guest lecturer, sharing her expertise in clarinet teaching. As a performer, she has performed in most London venues and collaborated with renowned UK artists, including Alfie Boe, Rod Stewart, and Joss Stone.

In addition to her freelance work, Amy has been Director of Music, Head of Instrumental Studies at Hockerill Anglo-European College since 2022. She is deeply committed to music education and plays an active role in the Saffron Walden Music Festival.

Ben Landymore

Music production

Ben Landymore is a passionate and exceptionally talented music producer, composer, recording engineer, trombonist and DJ. By incorporating his classical training and adventurous roots, he utilises the sounds of modern day life and nature with electronic production techniques to accentuate his unique creation of ambience. Proficient with the use of Logic Pro X, Pro Tools, Ableton Live 9, no software is a barrier to Ben’s creativity or speed of workflow. Boasting a discography of varying styles such as house, ambient, trip hop, new soul, hip hop, RnB, drum and bass, classical and electronic cinematic music, Ben has been invited to record with Aleksey Igudesman in Vienna, Austria and of course Lucy Landymore (sister). His most recent work has caught the attention of Universal Music Group, Inspected Records, UK Grime artist ‘KOJO Funds’ and Parker Ighile (Nicki Minaj, PDiddy, G-Eazy, Grace). With atmosphere playing an important role, his work has featured in the national tour of ‘Morecambe’ for which he was in charge of recording, mixing, editing, production and mastering; in Arts Council projects such as ‘Dancing in the Dales’ and most recently in ‘Embers’ a short horror film.

Ben has an impressive history of work in sound engineering, having assisted in the recording of the Holland Opera performing Puccini’s Madam Butterfly, with the installation of recording equipment in St John’s College, Cambridge, recording orchestras including the LPO, edited Dvorak Cello Concerto and installing a sound system in Truro Cathedral. Ben is also no stranger to operating a Yamaha M7 sound desk for the theatre production of Assassins at the ADC Theatre, Cambridge. Other duties included patching all the radio microphones and mixing the levels of the band and singers whilst following the script. Furthermore, he has operated the front of house sound for live function bands and the 78RPM Big Band, including extensive experience in location recording with About Sound ltd, Kettles Yard Cambridge and Codagan Hall London).

Adding to Ben Landymore’s exceptional versatility, he is also a classically trained trombonist. He studied at the Royal College of Music Junior Department, performing several times to thousands at the Royal Albert Hall, Ronnie Scotts and at the 606 Jazz Club. Regularly being invited to play for City of Cambridge Symphony Orchestra (CCSO) and Stoneleigh Youth Orchestra tours, Ben’s affability and ease of adapting to new environments makes him an invaluable member of any ensemble. In addition to his classical training he has proven his talents in brass ensembles such as Junior Prime Brass, Jazz and function bands including 78RPM big band, Superstition function band and countless theatre and cabaret pit bands.

Dan Phillips

(Conducting (Symphony Orchestra), Violin, Viola, Chamber Music, Musicianship, Music Theory)

Dan Phillips has been a tutor at SCYM since December 2023. He is a music scholar studying for a PhD at the University of Cambridge. At the University he works as an academic supervisor, teaching historical musicology and musical analysis to undergraduates in the Faculty of Music. With a decade of experience teaching violin, viola, conducting, and music theory to young musicians, he now teaches these disciplines to undergraduate students through the Centre for Music Performance.

His first university teaching appointment at the University of Manchester commences in March, when he will be delivering a new course in musical aesthetics to final year undergraduates and MA students in collaboration with Professor Thomas Schmidt and Dr. Allesandra Pallidda. Excited to return to Manchester, Dan had the privilege of studying conducting with Robert Guy at the University and violin with Julia Hanson and Sophie Rosa of the Royal Northern College of Music as an undergraduate, where he also benefitted from chamber music coaching with Quatuor Danel, Manchester Camerata, Eroica Quartet, and the Hallé.

Beyond academic life, Dan works as a professional violinist, violist, and conductor, primarily in the field of documentary film. Having recently recorded strings for ‘The Manhattan Alien Abduction’ (Netflix 2024), ‘Miner’s Strike 1984: The Battle for Britain’ (Channel 4, 2024), and ‘Investigating Diana: Death in Paris’ (Channel 4 2023), his portfolio of recording credits on soundtracks extends back to his professional debut on HBO’s ‘Battle for Marjah’ in 2014. He also has a longstanding collaboration with the electronica outfit ‘Grasscut’ (Ninja Tune, LoRecordings), as collaborative composer, arranger, and performer.

Daniella Ganeva

Percussion and piano

Born in Bulgaria and now resident in the UK, is considered to be a pioneer of solo percussion and one of the finest marimba artists of our time. Her solo and collaborative work has earned her a great deal of respect and critical acclaim from audiences and musicians worldwide.

I would recommend Ganeva for atmosphere, delicacy and what one might call an ‘ambient’ musical experience….

Daniella has performed at major festivals and concert halls around the world as a soloist and with leading chamber and symphony orchestras. The broad spectrum of her interests places her equally at ease with classical or contemporary music, music theatre, multimedia projects and dance. A passionate advocate of new music for percussion, Daniella has worked closely with composers such as David Horne, Piers Hellawell, Rihards Dubra, Evelyn Ficarra and Julio ‘Escrivan in developing and promoting exciting new repertoire. She is a founder of Framed Resonance, a duo with percussionist Paolo Cimmino that weaves a blend of contemporary music, eastern rhythms and folklore. Other recent collaborations have included performances and recordings with flautist Henrik Svitzer and cellist/baritone Matthew Sharp.

A Fellow of HEA and a dedicated educator, Daniella regularly visits universities and colleges across Europe and the Americas to present her inspirational master classes. She is the professor of marimba studies at the Royal College of Music, for whom in 2009 she developed the first Postgraduate Advanced Solo Marimba Studies Programme available in London. She regularly appears as a jury member on the panels of international percussion competitions and is the past President of The Percussive Arts Society Chapter for the UK and Ireland.

Daniella has recorded for Signum, Cala, GMN records and her recordings are considered by many to include some of the finest performances of the repertoire yet available. Her latest album ‘Mystic Rose’ includes works especially written for her by Latvian composer Rihards Dubra. It presents a depth of sonority, laced with surprising choral and medieval undertones not usually associated with percussion. Daniella’s unmistakable combination of warm, subtle marimba tones and dazzling virtuosity have now become a trademark that continues to inspire and enthral audiences worldwide.

Edward Campbell-Rowntree

Piano

A current PhD candidate in musicology at the University of Cambridge, funded by a Vice-Chancellor’s & Rosalie Crawford Girton Studentship. Supervised by Professor Bettina Varwig, hisresearch centres on harpsichord music and culture in seventeenth-century France, particularly in Paris and Versailles.

Before Cambridge, he studied music at King’s College, London (BMus), the University of Oxford (MSt), and the Royal Northern College of Music, Manchester (MMus, PGDip) where he specialised in piano performance. At college he focused on the song repertoire, becoming a member of the RNCM Songsters and winning first prize in the inaugural Williams-Howard Memorial Competition. In 2023, he was made a Leeds Lieder Young Artist with soprano Georgie Malcolm; he also joined the University of Cambridge Lieder Scheme alongside tenor James Gant.

He has been incredibly lucky to have received tuition and guidance from Murray McLachlan, Richard Ormrod, Joseph Middleton and Simon Lepper, and to have performed in public masterclasses for Steven Osborne, Graham Johnson and Sir Thomas Allen. In 2022 he performed alongside Sir Stephen Hough in his song cycle And Other Love Songs.

He has received generous financial support from the Help Musicians UK, Northumberland Estates, the Ogeleby Charitable Trust, the Headley Trust, and the Eric Horner Award.

Felicity Hamilton

Voice and choirs

Felicity Hamilton is a lyric soprano and singing teacher based in Essex. She began her career gaining a place in the National Youth Choirs of Great Britain in 1999, and later becoming a member of their chamber choir, Laudibus. From 16, Felicity attended Birmingham Conservatoire Junior School, where she studied with Coral Gould and won the Frank Richards Memorial Prize for solo voice. Felicity then studied at the Royal Academy of Music, graduating with a first in her Final Singing Recital. She represented the Academy in her second year for the Junior Kathleen Ferrier Award.

Felicity has sung in concerts around the country and abroad, under conductors including Sir Charles Mackerras, as Frog in Janáček’s The Cunning Little Vixen, Royal Academy Opera, and Sir Colin Davis in Bach’s St Matthew Passion. Felicity has a special relationship with composer Christopher Meux who has written a number of pieces of music for her. Felicity premiered his cycle of Thomas Hardy songs both in Germany and in Nottingham, and in May 2009 she was delighted to create the lead role in his new operetta Mai 1849 in Prüm, Germany.

Felicity greatly enjoys her work as a singing teacher and conductor at Saffron Centre for Young Musicians, St Edmund’s Collage Ware, and Magna Carta Primary Academy, and is in demand as a teacher in other spheres. She is on the musical staff of the National Youth Choirs of Great Britain and the Ulster Youth Choirs and is a Deputy teacher at The Royal College of Music Junior School. Felicity is very proud that many of her students have gained places in the National Youth Choirs, Conservatoires, postgraduate musical theatre courses and as music scholars at Oxbridge Universities.

Gavin Bowyer

Trumpet, Cornet, French Horn, Trombone, Baritone, Tenor Horn, Euphonium

Gavin has been teaching at SCYM since September 2023. He started playing the cornet at the age of 6 in Haverhill Youth Bands and music quickly became a serious hobby. Since then he has played in many brass bands including the Rigid Containers Band (formerly the GUS Band). Gavin was Principal Cornet of the National Youth Brass Band of Great Britain for two years, a position held by such illustrious names as Maurice Murphy, Phillip McCann and Philip Cobb.

In 1995 (aged 19) Gavin was a semi-finalist in the Shell-London Symphony Orchestra Scholarship, and in 1999 he graduated from the Guildhall School of Music and Drama. After travelling in Australia and Canada, and playing with the West Australian Symphony Orchestra, he now teaches brass at schools in and around Linton, Saffron Walden and Cambridge.

Gavin is lead Trumpet with the Cambridge based 12 piece ensemble Prime Brass and principal Trumpet with the Medlock Sinfonia. He also works regularly as a freelance performer with a Brass Quintet providing ceremonial music.

James Cairns

Flute and musicianship

James Cairns is a committed and dedicated teacher of music. He was a scholar at the RNCM, studying flute with Peter Lloyd, Richard Davis, and piccolo with Joanne Boddington. James has played with some of the UK’s top orchestras and has been guest principal flute alongside numerous chamber music recitals across the UK. James performed with DJ Switch, the world’s no.1 DJ in a rare performance of Gabriel Prokofiev’s concerto for DJ and Orchestra and was previously Musical Director for a music hub, working with over 700 students on a weekly basis, conducting orchestras and choirs, establishing a community choir in 2019. James has also commissioned works for orchestra, solo flute, and loves new music.

James was principal flute of the Cambridge University Orchestra, and has worked with Yan Pascal Tortelier, Garry Walker, Joshua Weilerstein, Delyana Lazarova, Sir Mark Elder and Dr Timothy Reynish. James has played for Sir James Galway, William Bennett, Rachel Brown, Sharon Bezaly, Robert Dick, Robert Winn, Hansjorg Schellenberger and Dr Kristian Steenstrup.

James has recently finished his PGCE at the University of Cambridge and has a Master of Education in Leadership and Management. James has always found teaching to be his forte and loves sharing and music-making with young people. James is keen to make music education accessible, inclusive, and equitable for everyone. James has more than ten years of teaching experience, inside and outside of the classroom, with exceptional exam results. James has also taught for the RNCM Outreach department. James was the winner of the Homerton College, Cambridge University music prize in 2023. James has been appointed as the Director of Music at HRS from September 2023.

James Free

General musicianship & saxophone

James studied BA (Hons) Music in Anglia Polytechnic University, Cambridge and PTLLS teacher training also in Cambridge.

Since the mid-1980’s,James has performed extensively for a wide variety of entertainment agencies, artists and ensembles at festivals, theatres, clubs, hotels, holiday resorts, corporate functions, military bases and cruise lines through out UK, Europe and United States. Artists include Tom Robinson and venues include Glastonbury Festival.

With 20 years experience in teaching music, in the United States and with Essex Music Services, James specialises in saxophone, whole class music, concert preparation, clarinet, flute and guitar.

Leon Haxby

Composition & general musicianship

Leon Haxby is a Composer, Bassoonist, DJ and teacher based in Cambridge. Leon has always been fascinated with the effect of quotation and re-contextualisation in music, and is now pursuing this field of study both in composition and through his groundbreaking research topic “Music’s Uncanny Valley”.

Leon began composition lessons with Darren Bloom at Forest School in London and was awarded a scholarship to the Royal Birmingham Conservatoire, followed by a place at the Conservatorium van Amsterdam where he has just completed his Masters in Composition. In the past, he has studied under Richard Ayres, Wim Henderickx, Richard Causton, Edwin Roxburgh, Ed Bennett, Joe Cutler and Howard Skempton. He has also taken masterclasses from Rebecca Saunders, Mario Garuti, Anna Korsun and Colin Matthews.

Leon was the winner of the Orchestre Nouvelle Generation Composers Competition 2016/17, and the Birmingham Conservatoire Orchestral Composition Prize 2015. Distinguished ensembles and performers of his works include the DoelenKwartet, HERMESensemble, Syzygy Quartet, Ossian Ensemble, Noszferatu, Decibel, David Le Page, Patrick Johnson, Sara Minelli, Rowland Sutherland and Colin Alexander. His compositions have been featured at world-famous festivals including the String Quartet Biennale Amsterdam and TROMP Percussion Festival, and at venues such as Kings Place and Muziekgebouw aan ‘t IJ, as well as various venues throughout Europe, North America and Africa.

In addition to classical composition, Leon immerses himself in a diverse range of musical styles. He composes advert soundtracks on a regular basis for clients such as GHD, Manolo Blahnik, Lanvin, Japanese Vogue, Mariana Jungman (London Fashion Week), Nowness.com and Cent Magazine. He has composed a number of film scores, including for award-winning short films ‘Wanted’ by Graeme Montgomery, and ‘Genesis’ by Beatrix Haxby.

As a bassoonist, Leon studied with Adam Mackenzie (New London Chamber Ensemble) and John Orford (London Sinfonietta) and has composed new repertoire for bassoon including a bassoon quartet and a number of concert studies. He is also an active DJ, playing eclectic sets from UK Bass to Jungle. He studied with international artists including Kasey Riot and Noah Priddle at the London Sound Academy and has performed in venues such as SET, Dalston alongside artists including Chiminyo and D’vo.

Lucy Haggerwood-Bullen

Violin and strings

Lucy has taught at SCYM since February 2018. She is a violinist and teacher, who graduated from Trinity Laban in 2018 with an MA in violin performance. She previously achieved a BMus degree from the University of Birmingham and attended the Guildhall School of Music’s Junior department.

Lucy is a member of Sinfonia Smith Square (formerly Southbank Sinfonia) for 2024-2025 and was the leader of 2nd violins at the Ernest Read Symphony Orchestra (2018-2022) as part of their young talent programme. Lucy freelances with groups such as the London City Philharmonic (guest leader), International Film Orchestra and Belmont Orchestra. Lucy also enjoys being a member of Bishops Stortford Sinfonia, working with musicians from the town she grew up in, putting on concerts and workshops locally. Community music, bringing music to a wide audience, and finding innovative ways to perform are central to Lucy’s work and she has performed with ensembles such as Multi-Story Orchestra and Kidenza Orchestra.

While training Lucy was a part of the CBSO Youth Orchestra, and Trinity Laban Symphony Orchestra. She led the University of Birmingham Philharmonic Orchestra and has performed as a soloist with the University of Birmingham Symphony Orchestra, Chamber Orchestra and Trinity Laban Baroque Orchestra.

Lucy enjoys a busy teaching portfolio. As well as SCYM she teaches at The Leys School Cambridge and was a Benedetti ambassador (2022-2024). Central to Lucy’s teaching philosophy is that learning an instrument should be fun, and she hopes to combine games, fun and creativity to make positive and enjoyable lessons that inspire her students to love the violin.

Malachi Siner Cheverst

Cello

Malachi has been teaching at SCYM since September 2019. He trained in Cello and Piano at Trinity Laban Conservatoire of Music and Dance under Naomi Butterworth and Penelope Roskell where he specialised in Pedagogy.

As a multi-genre Cellist, Malachi has performed with Orchestras, Popular Artists and Jazz bands in a range of venues from Cadogan Hall to the Hammersmith Apollo. Malachi works frequently as a session Cellist having recorded at Abbey Road and BBC Maida Vale Studios, as well as at his home studio.

When teaching, he combines his broad musical background with a solid grounding in classical and extended cello techniques. His approach encourages students to explore their own musical interests, with an emphasis on improvisation, aural skills, and comprehensive musical understanding.

Mark Fielding

Piano

Mark has been teaching piano and also choir accompanist at SCYM since April 2024. He studied the piano with Allan Schiller and composition with Robert Saxton at the Guildhall School of Music and Drama. After gaining his AGSM Diploma, he won a scholarship to study on the Post-Diploma Accompaniment course. He also won the School Composition Prize and the Jenny Hyman Prize for outstanding chamber music playing. Mark taught piano at the Junior Guildhall since 2005 and teaches at The Perse School, Cambridge, and examiner at Leeds College of Music for five years.

As a performer, Mark has played in most European countries and the US, Brazil, Mexico and Singapore. Performances in London have included several appearances in the Purcell Room and St. Martin-in-the-Fields. He made many broadcasts on radio three and Classic FM. He also made several CD recordings, notably the complete works of Szymanowski for violin and piano with the violinist Detlef Hahn.

Mark was a member of the Mühlfeld Trio, Camerada and ‘The Ensemble of Madrid’. He has also been an accompanist and performer on music courses such as Dartington International Summer School since 1991 and the Mozarteum Summer Academy working with Ruggiero Ricci. He has accompanied lessons with William Pleeth, Steven Isserlis, Maurice Gendron, Ralph Kirshbaum and Karine Georgian.

He has composed a series of books for children called ‘Allstyles’. Saxtetpublications have published his saxophone and clarinet pieces and quartets, and most recently, some of his pieces have been included in the ABRSM graded publications. He has just completed 12 studies for piano which will be in print shortly.

Michael Iskas

Violin, Viola, Chamber Music, Ensembles

Michael has been teaching at SCYM since September 2022. He is an experienced and enthusiastic violin, viola and chamber music teacher and performer. He teaches at Saffron Centre for Young Musicians, Essex Music Service and schools in Essex. He has also taught in chamber music courses of ProCorda. One of his main values is our duty to make art accessible to everyone.

He performs as an orchestral musician with orchestras such as CBSO, BSO, OPO, ENB. He also performs with chamber music ensembles. Michael is also a Mediterranean folk violin performer/improviser, playing and recording with authentic local musicians in Greece and bands in the multicultural music scene of London.

He is co-founder of Diphonon Duo along with the accordionist Iñigo Mikeleiz, appearing in venues such as Wigmore Hall, St Martin-in-the-Fields, Bristol Beacon. A number of composers have written music for them and recently they released their first CD. One of the most valuable aspects of their musical activity, involves music within the community. They are partner musicians of Wigmore Hall Learning Department, Live Music Now and Concordia Foundation.

Michael has studied violin performance and education (BMus) in Greece (UoM) and Vienna (MDW). Later, he studied viola performance (MA) at the Royal Academy of Music with James Sleigh and at Trinity Laban with Roger Chase obtaining his PGAD. He also completed the LRAM diploma for viola teaching at the Royal Academy of Music. Masterclasses with Lawrence Power, Vladimir Mendelssohn, Garth Knox, Hartmut Rohde, Paul Silverthorne and Richard Ireland. He has been Scholar of RAM, Athena Scholarship and Stavros Niarchos Foundation.

Mish Kelly

Violin and strings

Mish has had a varied musical career. She studied Music at York University and then a further degree at Surrey. Both colleges had a strong element of practical music making and composition. As teaching and directing choirs increased she became interested in how one hears music inwardly, trying various different methods to help choirs pitch, or extend the her own and her pupils compositional imagination.

This became centre stage when leading young choirs in Essex Music Service, Kent Music and then the Outreach department at Durham Cathedral. Children and their teachers across the North East took part in school projects termly, many staying on to create in-house choirs and yearly children’s opera. Through contact with the National Youth Choir of Scotland (NYCoS), she regularly visits Budapest, the home of Kodaly, to observe and learn from teachers there, and bring back similar ideas that would suit our own culture.

Throughout these ‘choral years’ she had continued to gain enormous pleasure from playing chamber music with friends. Currently she balances her love of violin playing and teaching, choral directing, Kodaly at Early Years and Primary, and is currently engaged in writing an opera for children, based on Yehudi Menuhin and Christopher Hope’s book ‘The King, the Cat and the Fiddle, which she hopes to stage with live young violinists and singers in a year or two.

Siu Chui Li

Piano

Siu Chui Li is in demand as a collaborative pianist and has given chamber concerts in France, Belgium, Iceland, Sweden, Spain, Portugal, Germany, Greece, Switzerland and South Korea and throughout the British Isles. She has given performances in major festivals including West Cork Chamber Music Festival, Chichester Festival, Isle of Man Festival and Festival du Menton in the South of France.

In England Siu Chui has performed at notable venues such as De Montford Hall, Leicester; and in London, Blackheath Concert Halls, Wigmore Hall, The Royal Opera House, Purcell Room and the Royal Festival Hall. She has collaborated with musicians such as flautist Susan Milan, violinist Elizabeth Cooney and the critically acclaimed Doric String Quartet. Siu Chui is a graduate of the Guildhall School of Music and Drama and the Royal College of Music and teaches at The Perse School, Cambridge.

Suzanne Reeves

Musicianship, Violin, Recorder

Suzanne has been teaching at SCYM since January 2024. She studied at the Junior Department of the Royal Academy of Music, and the Guildhall School of Music, with Detlef Hahn, on the joint course with City University, London. Following her teacher training, her love for music and learning took her to Paris, where she deepened her skills on the violin, and in French. For six years in France, she performed with professional orchestras, whilst studying with Dominique Juchors at the Conservatoire of the 10th arrondissement. She then took up the role of Head of Music at the International School of Paris for a further three years.

Her international career continued in the Dominican Republic, where she taught Primary Music, and then in Taiwan, where she spent fifteen years teaching violin and Orff-Schulwerk at Taipei American School. Upon her return to the UK, Ms Reeves has taught secondary music, and violin in Essex and Hertfordshire. This diverse teaching journey has equipped her with a unique ability to connect with pupils of all ages and skill levels.

She believes in striving for excellence while keeping the joy of learning alive. She is committed to supporting her pupils in achieving their best and loves exploring creative ways to make great music across different genres. She holds a BSc Mus (Hons), M Ed, LGSM, PGCE and Level III Orff-Schulwerk Certificate.

All parties are responsible in maintaining the safety of young people. Should any concerns arise they should be reported immediately to the Centre staff either in person, or via the following email addresses:

Saffron Centre for Young Musicians

• Kate.Llewellyn@essex.gov.uk Kate Llewellyn, Designated Safeguarding Lead for Saffron Centre for Young Musicians
• Sophie.Stafford@essex.gov.uk Sophie Stafford, Deputy Safeguarding Lead for Saffron Centre for Young Musicians

Essex Music Service

• John.Hutchings@essex.gov.uk John Hutchings, Designated Safeguarding Lead for Essex Music Service
• Peter.Lovell@essex.gov.uk Peter Lovell, Deputy Safeguarding Lead for Essex Music Service

All staff at SCYM are DBS checked (enhanced) and undergo safeguarding training biannually, inline with government guidance. We also follow Safer Recruitment guidelines when appointing staff. We take very seriously the welfare of our students on a Saturday and follow Greater Essex Music Hub’s Safeguarding Policy and Procedures. Please see ‘Policies’ for this in detail, as well as the Keeping Children Safe in Education 2024 guidance.

All Pastoral staff are trained in first aid, and if there are any individual medical needs we should know about to provide care for any attending young person, please inform us of this at the point of enrolment.

Safeguarding and Conduct Policy September 2024

Make-up Weeks

14 December 2024 and 19 July 2025 are make-up weeks should they be required by SCYM or SCYM tutors.

Ensemble Timetable

To view the 2024-25 Ensemble Timetable, please click here.